Yoko Ono, Colours of the Globe, 2009, Globe, plastic arm, wooden base, plaque, oil stick pencils, pencil case, wooden storage case, Edition of 50, 40/50, Published by Gallery 360° Tokyo, Signed and numbered on the certificate paper, 13 1/2 x 9 x 9 inches, Photograph by Joe VanDeHatert
Yoko Ono, Fly, 2007, Laminate box, flies, 50 cards with envelopes, Edition of 81, 64/81, Published by Gallery 360° Tokyo, Signed and numbered on the certificate paper, 8 1/4 x 7 x 7 1/2 inches, Photograph by Joe VanDeHatert
Yoko Ono, add color painting I LOVE U, 2004, Plexiglas stencil on stretched canvas, Edition of 81, 66/81, Published by Gallery 360° Tokyo, Signed Y.O onto LOVE between U13 x 17 3/4 inches, Photograph by Joe VanDeHatert
Tom Shelton, "Yellow Trees," 2025, Acrylic on canvas 36 x 48 inches
Tom Shelton, "Primary and Secondary Trees," 2021, Acrylic on canvas, 48 x 60 inches
Tom Shelton, "Trapping is an Art," 1975, Oil on canvas, 38 1/2 x 62 inches
Nam June Paik (1932-2006), Cage in Cage, 1998, Single channel video sculpture, Painted wooden birdcage, 5-inch Magnavox color TV, DVD player, DVD of original Paik video, Phillips VHS video cassette player, master VHS tape of Paik video, Signed “Paik 98” in white paint on top of cage, Certificate of authenticity signed by artist, 23 1/2 x 15 x 15 inches
Eva Kwong, "Pollia," 2019 stoneware, slips and underglaze, glaze 19 x 12 x 12 inches
William Anastasi, Subway Drawing, (Thomas McEvilley 3.22.12), 2012, Graphite on paper, Paper: 7 ¾ x 11 ¼ inches, Frame:14 ½ x 17 ½ inches
William Anastasi, Subway Drawing, (11.29.12 1097 > 8th Ave 59 St mid), 2012, Graphite on paper, Paper: 7 ¾ x 11 ¼ inches, Frame:14 ½ x 17 ½ inches
Kirk Mangus, Dog Boy, local stoneware, wood-fired, 33 x 18 x 18 inches , Kirk Mangus, Cat Girl, local stoneware, wood-fired, 29 x 18 x 18 inches
Eva Kwong, "Filopodia," 2019, stoneware, underglaze, glaze, 17 1/2 x 12 x 12 inches
Jim Wainscott (1945 - ), "Dam," 2002, Acrylic on wood, 24 x 24 inches
Robert Longo (1953 - ), "Paths of the Mind," 2018, Digital pigment print on Epson hot pressed, bright white paper, Edition of 25, 8/25, 36 5/8 x 60 inches
Eva Kwong, Lament, 2005, porcelain, glaze, each teardrop: 10 – 12 inches
Keith Sonnier, Syzygy Transmitter, 1992, Neon, mylar, aluminum, metal, Edition of 18, 27 x 19 x 27 inches
Alan Rath, Bostock, 2012, Aluminum, FR-4, polyethylene, Delrin, custom electronics, LCDs, 81 x 45 x 33 inches
Alan Rath, Triple Tongue Tree Too, 2011, Aluminum, FR-4, polyethylene, silicone, custom electronics, LCDs, 63 x 42 x 22 inches
Alan Rath, Read My Lips, 2012, Aluminum, FR-4, Delrin, custom electronics, LCD, 31 x 13 x 11 inches
Kenny Scharf (1958 - ), "Paradis Perdu," 2022, Archival pigment inks with high glass varnish and diamond dust on Innova Etching cotton rag 315 gsm fine art paper, Signed by artist, Edition of 40, 28/40, Image: 42 x 54 inches, Framed: 48 x 60 inches
Ed Moses (1926 – 2018), "Vision Catcher," 1999, Acrylic on canvas, Signed and dated “Y BRANCO – 99,” 66 x 54 inches
USCO (Gerd Stern, Stephen Durkee, Michael Callahan), "Blue Cross Painting," 1965, Screenprint and oil on canvas, metal hinges, 36.5 x 36 inches (five 12 x 12 inch panels)
USCO (Gerd Stern, Stephen Durkee, Michael Callahan), "Light Blue with Benjamin Franklin Weather Map," 1965-1966, Oil and screenprint on shaped canvas, 78 x 66 inches
USCO (Gerd Stern, Stephen Durkee, Michael Callahan), "Contact Is the Only Love," 1963/2000, Metal, concrete, rubber, custom electronics, lights, 30 1/2 x 21 x 10 inches
Pat Steir (1940 - ), "Blue and Yellow Single Mark Waterfall," 2004 - 2010, Screenprint, AP 6 Edition never realized, Paper: 63 x 31 inches, Framed: 65 1/2 x 38 1/2 inches
Peter Halley (1953 - ), "Explosion #8," 2015, One of eight monoprints on vinyl, unique, 42 x 42 inches, Published by Carl Solway Gallery
Peter Halley (1953 - ), "Explosion #4," 2015, One of eight monoprints on vinyl, unique, 42 x 42 inches, Published by Carl Solway Gallery
Peter Halley (1953 - ), "Explosion," 2014-2020, hand-painted acrylic and fluorescent acrylic on digitally milled polystyrene mounted on MDF board, 40 x 40 x 3 inches
Ann Hamilton (1956 - ), "book weight zz (human carriage)," 2009, Archival Inkjet Print, Edition of 10 + 2 Artist Proofs, Image size: 36 x 25.75 inches, Paper size: 44 x 34 inches
Ann Hamilton (1956 - ), "book weight xx (human carriage)," 2009, Archival Inkjet Print, Edition of 10 + 2 Artist Proofs, Image size: 36 x 25.75 inches, Paper size: 44 x 34 inches
Ann Hamilton (1956 - ), "book weight dd (human carriage)," 2009, Archival Inkjet Print, Edition of 10 + 2 Artist Proofs, Image size: 58.5 x 42 inches, Paper size: 60.5 x 44 inches
Ann Hamilton (1956 - ), "book weight bb (human carriage)," 2009, Archival Inkjet Print, Edition of 10 + 2 Artist Proofs, Image size: 58.5 x 42 inches, Paper size: 60.5 x 44 inches
Bob Stanley, The Supremes, 1965, Acrylic on canvas, Canvas: 38 x 45 inches, Frame: 38 3/4 x 45 3/4 inches
Tom Marioni (1937 - ), "Drum Brush Drawing," 2001, Steel on sand paper, 34 ½ x 40 ½ inches, paper size, 39 ¼ x 46 inches, framed
Tom Marioni (1937 - ), "Drum Brush Drawing," 2016, Graphite on sand paper, Paper: 34 x 40 1/2 inches, Frame: 39 1/4 x 46 inches
Merce Cunningham (1919 - 2009), "Untitled (woodpecker) (8/20/00 #1)," 2000, Color pencil and ink on paper, 11 7/8 x 8 15/16 inches
Buckminster Fuller (1895 - 1983), "90 Strut Tensegrity Dome," 1979, 9” Stainless Steel polished and stainless wire tendons, Series #5 / 5, signed on strut with 12 degrees freedom demo model, 21-inch diameter
Eva Kwong (1954 - ), "Femme Rock," 1982, Stoneware, coil-built, glazed, 15 x 15 x 11 inches
Eva Kwong (1954 - ), "Waterfall," 1974, porcelain slip, salt glaze, 6 x 6 x 10 inches
Eva Kwong (1954 - ), "Lava," 1978, porcelain, slip, salt glaze, 10.5 x 13 x 1 inches
Kirk Mangus (1952 - 2013)
Kirk Mangus (1952 - 2013), Sleepy Misty, 10 x 11 x 13 inches, Blue Bunny, 12 ½ x 11 ½ x 16 ¾ inches, stoneware, underglazes, 2008
Kirk Mangus (1952 - 2013), "Lakeside Femme," 1987, Stoneware with colored slips, 40.5 x 15 x 14.5 inches
Kirk Mangus (1952 - 2013), "Dog Boy," 33 x 18 x 18 inches, "Cat Girl," 29 x 18 x 18 inches, local stoneware, wood-fired
John Cage (1912 - 1992), "Not Wanting to Say Anything About Marcel Plexigram I," 1969 8 panels of Plexiglas each in a walnut base, 14.5 x 24 x 14.5 inches
John Cage (1912 - 1992), "Not Wanting to Say Anything About Marcel Plexigram III," 1969 8 panels of Plexiglas each in a walnut base, 14.5 x 24 x 14.5 inches
John Cage (1912 - 1992), "Not Wanting to Say Anything About Marcel Plexigram IV," 1969 8 panels of Plexiglas each in a walnut base, 14.5 x 24 x 14.5 inches