I-75 Corridor is an invitational “pop-up” group exhibition that will bring together a curated selection of paintings, drawings, sculptures, graphics, textiles, artist books & multiples from Hill Gallery (Birmingham, MI), Alternate Projects (Newport, KY), and Solway Gallery (Cincinnati, OH). This special exhibition will be located in the Solway Building’s first-floor gallery space.
Artists include: Josef Albers, Lynda Benglis, James Lee Byars, John Cage, Sue Coe, Richard Pousette-Dart, John Duff, Buckminster Fuller, Sam Gilliam, Peter Halley, Ann Hamilton, Richard Hamilton, Keith Haring, Carole Harris, Jenny Holzer, Roni Horn, Robert Indiana, Ray Johnson, Allan Kaprow, Mel Kendrick, Eva Kwong, Sol Lewitt, George Maciunas, Allie McGhee, Louise Nevelson, Isamu Noguchi, Dennis Oppenheim, Joel Otterson, Rocio Rodriguez, Ed Ruscha, Tom Shelton, Cindy Sherman, David Smith, Joan Snyder, Mark di Suvero, Taro Suzuki, John Torreano, USCO, and Lawrence Weiner.
JOAN SNYDER (b. 1940), The Virgin, 2010, Paper pulp, herbs, burlap, rosebuds, 33 3/4 x 27 inches
MEL KENDRICK (b. 1949), Untitled, 2014, Mahogany and Japan Color Branded MK on inside mount, Studio#: MK2014-013S\, 46 x 34 x 3 inches
Mel Kendrick (b. 1949), Untitled, 2011, Cast Paper with pigment, Paper: 43 1/4 x 34 3/4 inches, Frame: 48 x 39 1/2 inches
LYNDA BENGLIS (b. 1941), Lagniappe, 1978, Cast hand-painted handmade paper with gold leaf, Graphite, ink, sparkles, and acrylic paint, From a series of 26 unique variations, Signed, titled, and dated verso “Lynda Benglis, ’78, 15/26” 35 x 14 x 7 inches
ANDY WARHOL (1928 - 1987), American Indian (Black), ACE Gallery, 1976, First edition offset lithograph, Restored, 50h x 35w in (127h x 88.90w cm), Signed and dated 1976
MARK DI SUVERO (1933 -), Hamlet's Ghost, 2007, Titanium, H 52 x W 39 x D 41 inches
TARO SUZUKI, Untitled, 2026, Digital Print on Canvas, H 48 x W 36 inches
CAROLE HARRIS, Path to Unexpected Resolutions, 2024, Commercially printed cottons, miscellaneous and antique textiles, oil pastel on cotton, discharge dyed inen and cotton batting, Machine and hand quilting with hand embroidery, H 59 x W 49 inches, Signed & dated verso
ROBERT INDIANA, Love Rubbing (blue), 1973, Colored pencil on envelope. Signed and inscribed, 3 1/2 × 6 1/2 inches (8.9 × 16.5 cm)
CINDY SHERMAN, Untitled (Just Like Daddy/Just Like Mommy, A Two-In-One Wonder Book, 1952), 1975, Altered used children’s reversible book, SIGNED with two dedications to Charles Clough, Fig. 24, 8 x 6 1/4 inches (20.32 x 15.88 cm)
DAVID SMITH (1906–1965), Untitled, (Voltri 2), 1962, Green egg ink with oil overlay on paper, 19 x 24.5, inches, Signed & dated lower right, Estate No. 73-62-2
David Smith (1906–1965), Untitled (June 14, 1962), 1962, Black egg ink on paper, Signed & dated lower right: “Voltri 6-14-62”, Paper: 19 x 24 inches, Frame: 29 1/2 x 34 3/4 inches
John Torreano (b. 1941), Untitled (Green), 1977, Acrylic and watercolor on paper, Signed & dated verso, Paper: 29 x 41 inches, Frame: 32 x 43 3/4 inches
USCO (Gerd Stern, Stephen Durkee, Michael Callahan), Light Blue Sphere with Benjamin Franklin Weather Map, 1965-1966, Oil and screenprint on shaped canvas, 78 x 66 inches (198.1 x 167.6 cm)
PETER HALLEY, Explosion, 2020, Hand-painted acrylic and fluorescent acrylic on digitally milled polystyrene mounted on MDF board, Signed and dated on verso, 40 x 40 x 3 inches (101.6 x 101.6 x 7.6 cm)
Rocio Rodriguez (b. 1952), Coup de Main, 2005, Acrylic, oil on canvas, 72 x 104 inches
Sam Gilliam (1933-2022), Elm, 1981, Acrylic on collage canvas, 87 x 62 inches
Sam Gilliam (1933-2022), Elm (Elmer), 1981, Acrylic on collage canvas on beveled stretcher, 70 x 74 inches
John Duff (b. 1943), Die Fackel, 2012, Urethane resin, paint, steel rings, 80 x 23 1/2 x 23 1/2 inches
Allie McGhee (b. 1941), Untitled, 2019, Acrylic, enamel, vinyl, Signed & dated verso, 42 x 32 x 2 1/2, inches
Carole Harris (b. 1943), Something in the Way of Things Remembered, 2025, Mullberry Paper (Joomchi) with miscellaneous pieced and upcycled fabrics and thread, Signed & dated verso, 37 1/2 x 30 inches
JOHN TORREANO (1941 -), Untitled (Teal), 2020, Hand Blown Glass, Height: 24 x 5.5 inches in diameter, Signed & dated on base
John Torreano (b. 1941), Untitled (Red), 2020, Hand blown glass, Signed & dated on base, 16 x 5 x 5 inches
John Torreano (b. 1941), Untitled (Yellow-Green), 2020, Hand blown glass, Signed & dated on base, 18 x 5 x 5 inches
John Torreano (b. 1941), Untitled (Blue), 2020, Hand blown glass, Signed & dated on base, 27 x 4 x 4 inches
John Torreano (b. 1941), Sapphire/Balls, 2022, Gems, acrylic paint, and wood, orbs on wood column, Signed & dated verso, 59 x 8 x 4 inches
Mark di Suvero (b. 1933), Huru (Study), 1984-85, Black brush drawing on paper, Signed lower right, Paper: 26 x 40 inches, Frame: 29 x 43 1/8 inches
Roni Horn (b. 1955), Group II 4 Hollowed Mass, 1983-4, Cast lead, 21 x 2 x 5 inches
RICHARD POUSETTE-DART (1916 - 1992), Untitled, c. 1930’s, Ink on paper, 16.75 x 13.75, inches, Estate #: D-303
Richard Pousette-Dart (1916-1992), Untitled, 1930’s, Ink on paper, Paper: 16 3/4 x 13 3/4 inches, Frame: 24 1/4 x 20 1/2 inches
Sol LeWitt (1928 – 2007), Irregular Form with Colour Gouache, 1992, Gouache on paper, Signed & dated on front, lower right: “S. Lewitt 92”, Paper: 22 3/4 x 29 1/2 inches, Frame: 27 1/4 x 34 1/8 inches
Richard Pousette-Dart (1916-1992), Eye of Night, 1978, Acrylic on paper, Signed & dated on verso, Paper: 22 1/2 x 30 inches, Frame: 32 x 39 1/4 inches
Dennis Oppenheim (1938-2011), Study for Dancing Still Project, 2004, Toronto, Canada, Pencil, colour pencil, oil wash, oil pastel on paper, Paper: 24 x 35 inches, Frame: 27 x 38 1/2 inches
Dennis Oppenheim (1938-2011), Study for Light Chamber, 2004, Denver, Colorado, Pencil, colour pencil, oil wash, oil pastel on paper, Paper: 24 x 35 inches, Frame: 27 x 38 1/2 inches
Isamu Noguchi (1904-1988), Monks at Their Morning Exercise Rituals, 1930, Ink stick on paper, Signed & dated verso, Paper: 22 5/8 x 18 1/8 inches, Frame: 30 1/4 x 25 1/2 inches