Mark Patsfall Graphics, established in 1981, has evolved from its humble origins in Patsfall’s home garage to its present location on Clay Street in downtown Cincinnati, to become one of the premiere fine art presses in the region. Patsfall has collaborated for nearly two decades with regional, national, and international artists to produce prints of the finest quality in all printmaking mediums.

Bill Allen (b. 1957),
Lapis Lazuli, 1995,
Twelve deep-etched magnesium plates painted with epoxy paint,
Edition of 8,
7 x 9 1/2 x 1/2 inches, each,
22 x 39 inches, entire piece installed — Bill Allen (b. 1957), Lapis Lazuli, 1995, Twelve deep-etched magnesium plates painted with epoxy paint, Edition of 8, 7 x 9 1/2 x 1/2 inches, each, 22 x 39 inches, entire piece installed

Carmel Buckley (b. 1956),
J.J.G. I - VI, 2011,
A suite of 6 Chine collé etchings on Arches cover paper,
Edition of 10 of each print,
Paper: 18 x 12 inches — Carmel Buckley (b. 1956), J.J.G. I - VI, 2011, A suite of 6 Chine collé etchings on Arches cover paper, Edition of 10 of each print, Paper: 18 x 12 inches

Chunwoo Nam (b. 1965),
Chimerica Flag, 2012,
Archival Digital Print and Linocut on Rives BFK paper,
Edition of 20 — Chunwoo Nam (b. 1965), Chimerica Flag, 2012, Archival Digital Print and Linocut on Rives BFK paper, Edition of 20

Andrew Au (b. 1972),
GLNrUD, 2009,
Etching & silkscreen on Hahnemuhle paper,
Image: 36 x 18 inches — Andrew Au (b. 1972), GLNrUD, 2009, Etching & silkscreen on Hahnemuhle paper, Image: 36 x 18 inches

Nam June Paik (1932-2006),
Key to the Highway (Rosetta Stone), 1995,
Intaglio, relief etching and screenprint on paper,
Edition of 64, 10/64,
Paper: 34 x 28 inches,
Frame: 39 1/4 x 32 1/4 inches — Nam June Paik (1932-2006), Key to the Highway (Rosetta Stone), 1995, Intaglio, relief etching and screenprint on paper, Edition of 64, 10/64, Paper: 34 x 28 inches, Frame: 39 1/4 x 32 1/4 inches

Dieter Lennartz,
Projectile, 2004,
Lithograph and 24k gold leaf on paper,
Edition of 24, 5/24,
Paper: 30 x 22 inches,
Frame: 33 1/4 x 25 1/4 inches — Dieter Lennartz, Projectile, 2004, Lithograph and 24k gold leaf on paper, Edition of 24, 5/24, Paper: 30 x 22 inches, Frame: 33 1/4 x 25 1/4 inches

Barbara Westermann (b. 1958),
Parallax View II, 2011,
Woodcut on Rives Heavyweight paper,
Edition of 18,
17 1/2 x 22 inches — Barbara Westermann (b. 1958), Parallax View II, 2011, Woodcut on Rives Heavyweight paper, Edition of 18, 17 1/2 x 22 inches

Vito Acconci (b. 1940),
Blown-Up Baby Doll (6 Triangle Version), 1991,
Silkscreen on Sintra, six triangle panels,
Edition of 20,
42 3/4 x 49 inches — Vito Acconci (b. 1940), Blown-Up Baby Doll (6 Triangle Version), 1991, Silkscreen on Sintra, six triangle panels, Edition of 20, 42 3/4 x 49 inches

Andrew Au (b. 1972),
MB-IC-Ip, 2009,
Two-plate etching and silkscreen on Hahnemuhle paper,
Edition of 9, 1/9,
Image: 22 3/4 x 22 1/2 inches,
Frame: 32 x 31 1/2 inches — Andrew Au (b. 1972), MB-IC-Ip, 2009, Two-plate etching and silkscreen on Hahnemuhle paper, Edition of 9, 1/9, Image: 22 3/4 x 22 1/2 inches, Frame: 32 x 31 1/2 inches

Richard Bitting (b. 1950),
Conifers, 1996,
Eight-color lithograph and silkscreen on Magnani Pescia paper,
Includes audio CD,
Edition of 20, 6/20,
Image: 18 1/2 x 24 inches,
Frame: 25 1/2 x 30 1/2 inches — Richard Bitting (b. 1950), Conifers, 1996, Eight-color lithograph and silkscreen on Magnani Pescia paper, Includes audio CD, Edition of 20, 6/20, Image: 18 1/2 x 24 inches, Frame: 25 1/2 x 30 1/2 inches

Jay Bolotin (1949-2025),
A Mortal Pilgrimage I – IV, 1983,
Woodcut on paper,
Edition of 20, Presentation Proofs,
Paper: 46 1/2 x 45 1/2 inches,
Frame: 46 3/4 x 45 3/4 inches — Jay Bolotin (1949-2025), A Mortal Pilgrimage I – IV, 1983, Woodcut on paper, Edition of 20, Presentation Proofs, Paper: 46 1/2 x 45 1/2 inches, Frame: 46 3/4 x 45 3/4 inches

Carmel Buckley (b. 1956),
J.J.G. IV, 2011,
Edition of 10, 3/10,
Paper: 18 x 12 inches,
Frame: 25 3/4 x 19 3/4 inches — Carmel Buckley (b. 1956), J.J.G. IV, 2011, Edition of 10, 3/10, Paper: 18 x 12 inches, Frame: 25 3/4 x 19 3/4 inches

Carmel Buckley (b. 1956),
J.J.G. V, 2011,
Edition of 10, 3/10,
Paper: 18 x 12 inches,
Frame: 25 3/4 x 19 3/4 inches — Carmel Buckley (b. 1956), J.J.G. V, 2011, Edition of 10, 3/10, Paper: 18 x 12 inches, Frame: 25 3/4 x 19 3/4 inches

Allen Ginsberg (1926-1997),
Mother Ghost, 1994,
Intaglio on paper,
Edition of 95, AP VIII/VIII,
Paper: 19 1/2 x 25 inches,
Frame: 28 1/4 x 22 1/4 inches — Allen Ginsberg (1926-1997), Mother Ghost, 1994, Intaglio on paper, Edition of 95, AP VIII/VIII, Paper: 19 1/2 x 25 inches, Frame: 28 1/4 x 22 1/4 inches

Terence Hammonds (b. 1976),
VS, 2013,
Silkscreen on Rives BFK paper,
Edition of 25, 9/25,
Image: 17 x 24 inches,
Frame: 22 1/4 x 29 1/4 inches — Terence Hammonds (b. 1976), VS, 2013, Silkscreen on Rives BFK paper, Edition of 25, 9/25, Image: 17 x 24 inches, Frame: 22 1/4 x 29 1/4 inches

Mark Harris,
Utopian-Bands, 2008,
A suite of six woodcuts on paper, boxed set with DVD,
Edition of 20, 12/20,
Paper: 14 x 15 inches, each,
Frame: 16 x 17 1/4 inches, each — Mark Harris, Utopian-Bands, 2008, A suite of six woodcuts on paper, boxed set with DVD, Edition of 20, 12/20, Paper: 14 x 15 inches, each, Frame: 16 x 17 1/4 inches, each

Frank Herrmann (1945-2026),
Pool 1, 2015,
Monoprint from laser cut stencil, aluminum and paper stencils and painting on plate,
Paper: 19 x 20 1/2 inches,
Frame: 23 1/3 x 24 1/4 inches — Frank Herrmann (1945-2026), Pool 1, 2015, Monoprint from laser cut stencil, aluminum and paper stencils and painting on plate, Paper: 19 x 20 1/2 inches, Frame: 23 1/3 x 24 1/4 inches

Frank Herrmann (1945-2026),
Untitled, 2015,
Monoprint from aluminum and foamcore
stencils and painting on plate on paper,
Paper: 40 1/2 x 28 inches,
Frame: 45 3/4 x 32 3/4 inches — Frank Herrmann (1945-2026), Untitled, 2015, Monoprint from aluminum and foamcore stencils and painting on plate on paper, Paper: 40 1/2 x 28 inches, Frame: 45 3/4 x 32 3/4 inches

Peter Huttinger (b. 1953),
E.T.W.B.W.A.T., 1986,
Hand-colored etching on paper,
Edition of 15, 10/15,
Paper: 30 x 22 1/4 inches,
Frame: 33 x 25 inches — Peter Huttinger (b. 1953), E.T.W.B.W.A.T., 1986, Hand-colored etching on paper, Edition of 15, 10/15, Paper: 30 x 22 1/4 inches, Frame: 33 x 25 inches

Shōichi Ida (1941-2006),
Four Seasons of Eden Park, 1990,
Etching, drypoint, chine-collé on paper,
Edition of 20, Shop Proof 2/5,
Paper: 29 3/4 x 22 inches,
Frame: 33 x 25 inches — Shōichi Ida (1941-2006), Four Seasons of Eden Park, 1990, Etching, drypoint, chine-collé on paper, Edition of 20, Shop Proof 2/5, Paper: 29 3/4 x 22 inches, Frame: 33 x 25 inches

Chris Johanson (b. 1968),
Relationistism, 2000,
I. Untitled (balloons),
II. Untitled (street scene),
Ill. Untitled (words),
IV. Untitled (bricks),
V. Untitled (faces),
VI. Untitled (hippies),
Lithograph and relief on paper,
Edition of 20,
Paper: 22 x — Chris Johanson (b. 1968), Relationistism, 2000, I. Untitled (balloons), II. Untitled (street scene), Ill. Untitled (words), IV. Untitled (bricks), V. Untitled (faces), VI. Untitled (hippies), Lithograph and relief on paper, Edition of 20, Paper: 22 x 30 inches, each, Frame: 25 1/4 x 33 inches, each

Ik-Joong Kang (b. 1960),
8 x 8 x 9, 2007,
Nine woodcut prints,
Edition of 30,
Paper: 30 x 30, each,
Frame: 31 1/2 x 31 1/2 inches, each — Ik-Joong Kang (b. 1960), 8 x 8 x 9, 2007, Nine woodcut prints, Edition of 30, Paper: 30 x 30, each, Frame: 31 1/2 x 31 1/2 inches, each

Hillary Leone & Jennifer Macdonald,
Chromosomes, 1994,
Silkscreen and lithograph,
Edition of 95 + 12 AP’s, AP XII/XII,
Paper: 19 1/2 x 40 3/4 inches,
Frame: 23 1/2 x 53 3/4 inches,
Published by Whitney Museum of American Art — Hillary Leone & Jennifer Macdonald, Chromosomes, 1994, Silkscreen and lithograph, Edition of 95 + 12 AP’s, AP XII/XII, Paper: 19 1/2 x 40 3/4 inches, Frame: 23 1/2 x 53 3/4 inches, Published by Whitney Museum of American Art

Tony Luensman (b. 1966),
Angel Swing - A.M., 2009,
Lithograph on Arches paper,
Edition of 13,
Paper: 30 x 22 inches,
Frame: 32 1/4 x 24 1/2 inches — Tony Luensman (b. 1966), Angel Swing - A.M., 2009, Lithograph on Arches paper, Edition of 13, Paper: 30 x 22 inches, Frame: 32 1/4 x 24 1/2 inches

Tony Luensman (b. 1966),
Erroneous Linkages I, 2009,
Colophon on paper,
Edition of 5, 5/5,
Paper: 28 x 28 inches,
Frame: 31 1/2 x 31 1/2 inches — Tony Luensman (b. 1966), Erroneous Linkages I, 2009, Colophon on paper, Edition of 5, 5/5, Paper: 28 x 28 inches, Frame: 31 1/2 x 31 1/2 inches

Tony Luensman (b. 1966),
Erroneous Linkages II, 2009,
Colophon on paper,
Edition of 5, 5/5,
Paper: 28 x 28 inches,
Frame: 31 1/2 x 31 1/2 inches — Tony Luensman (b. 1966), Erroneous Linkages II, 2009, Colophon on paper, Edition of 5, 5/5, Paper: 28 x 28 inches, Frame: 31 1/2 x 31 1/2 inches

Tony Luensman (b. 1966),
Angel Swing - M.A., 2009,
Lithograph on Arches paper,
Edition of 13,
Paper: 30 x 22 inches,
Frame: 32 1/4 x 24 1/2 inches — Tony Luensman (b. 1966), Angel Swing - M.A., 2009, Lithograph on Arches paper, Edition of 13, Paper: 30 x 22 inches, Frame: 32 1/4 x 24 1/2 inches

Vicki Mansoor (b. 1953),
Dress, 1993,
Constructed lithograph, wood hanger,
Edition of 35,
34 x 17 1/2 inches — Vicki Mansoor (b. 1953), Dress, 1993, Constructed lithograph, wood hanger, Edition of 35, 34 x 17 1/2 inches

Tim McMichael (b. 1972),
Untitled (Convergence), 2008,
Etching on Rives BFK paper,
Edition of 20, 3/20,
Image: 8 3/4 x 8 3/4 inches,
Frame: 16 3/8 x 16 1/8 inches — Tim McMichael (b. 1972), Untitled (Convergence), 2008, Etching on Rives BFK paper, Edition of 20, 3/20, Image: 8 3/4 x 8 3/4 inches, Frame: 16 3/8 x 16 1/8 inches

Tim McMichael (b. 1972),
Untitled (Emergence), 2008,
Etching on Rives BFK paper,
Edition of 20, 1/20,
Image: 8 3/4 x 8 3/4 inches,
Frame: 15 1/2 x 15 1/2 inches — Tim McMichael (b. 1972), Untitled (Emergence), 2008, Etching on Rives BFK paper, Edition of 20, 1/20, Image: 8 3/4 x 8 3/4 inches, Frame: 15 1/2 x 15 1/2 inches

Tim McMichael (b. 1972),
Neighborhood, 2008,
Silkscreen and volcanic ash on Rives BFK,
Edition of 10,
Paper: 14 1/4” x 13 1/2 inches,
Frame: 17 x 16 1/4 inches — Tim McMichael (b. 1972), Neighborhood, 2008, Silkscreen and volcanic ash on Rives BFK, Edition of 10, Paper: 14 1/4” x 13 1/2 inches, Frame: 17 x 16 1/4 inches

Tim McMichael (b. 1972),
Strata (Black Blot), 2008,
Silkscreen in Epoxy resin on acrylic sheet and steel,
Edition of 6,
12” diameter — Tim McMichael (b. 1972), Strata (Black Blot), 2008, Silkscreen in Epoxy resin on acrylic sheet and steel, Edition of 6, 12” diameter

Casey Riordan Millard,
My Super Power, 2013,
Lithograph on paper,
Edition of 25, 8/25,
Paper: 19 1/2 x 25 3/4 inches,
Frame: 22 1/2 x 28 3/4 inches — Casey Riordan Millard, My Super Power, 2013, Lithograph on paper, Edition of 25, 8/25, Paper: 19 1/2 x 25 3/4 inches, Frame: 22 1/2 x 28 3/4 inches

Matt Mullican (b. 1951),
Untitled (Portfolio I), 1988,
A portfolio of 16 etching and aquatint prints,
Edition of 64, Trial Proof,
Paper: 22 x 15 1/8 inches, each,
Frame: 23 1/4 x 16 1/4 inches, each,
Published by Carl Solway Gallery — Matt Mullican (b. 1951), Untitled (Portfolio I), 1988, A portfolio of 16 etching and aquatint prints, Edition of 64, Trial Proof, Paper: 22 x 15 1/8 inches, each, Frame: 23 1/4 x 16 1/4 inches, each, Published by Carl Solway Gallery

Chunwoo Nam (1965),
We Are Here I-IV, 2011,
Lithograph on paper,
Edition of 20, 13/20,
Paper: 15 x 22 inches, each,
Frame: 20 1/2 x 27 1/2 inches, each — Chunwoo Nam (1965), We Are Here I-IV, 2011, Lithograph on paper, Edition of 20, 13/20, Paper: 15 x 22 inches, each, Frame: 20 1/2 x 27 1/2 inches, each

Joel Otterson (b. 1959),
The Might Oak of Rock, 1993,
Etching on paper,
Edition of 30, 20/30,
Paper: 30 x 22 inches,
Frame: 37 x 28 1/2 inches — Joel Otterson (b. 1959), The Might Oak of Rock, 1993, Etching on paper, Edition of 30, 20/30, Paper: 30 x 22 inches, Frame: 37 x 28 1/2 inches

Nam June Paik (1932-2006),
Golden View, 1991,
Lithograph on paper,
Edition of L, XLVII/L,
Paper: 22 x 23 inches,
Frame: 38 3/4 x 36 3/4 inches — Nam June Paik (1932-2006), Golden View, 1991, Lithograph on paper, Edition of L, XLVII/L, Paper: 22 x 23 inches, Frame: 38 3/4 x 36 3/4 inches

Nam June Paik (1932-2006),
TV Story Board, 1984,
From the portfolio V-IDEA a priori,
Intaglio on paper,
Edition of 58, Trial Proof,
Paper: 18 5/8 x 21 3/4 inches,
Frame: 20 1/4 x 23 1/4 inches — Nam June Paik (1932-2006), TV Story Board, 1984, From the portfolio V-IDEA a priori, Intaglio on paper, Edition of 58, Trial Proof, Paper: 18 5/8 x 21 3/4 inches, Frame: 20 1/4 x 23 1/4 inches

Nam June Paik (1932-2006),
Zenith, 1984,
From the portfolio V-IDEA a priori,
Intaglio on paper,
Edition of 58,
Paper: 18 5/8 x 21 3/4 inches,
Frame: 20 1/4 x 23 1/4 inches — Nam June Paik (1932-2006), Zenith, 1984, From the portfolio V-IDEA a priori, Intaglio on paper, Edition of 58, Paper: 18 5/8 x 21 3/4 inches, Frame: 20 1/4 x 23 1/4 inches

Mark Patsfall (b. 1949),
Self-Portrait,
Pair of two relief prints from etched magnesium plates,
Paper: 14 x 15 1/2 inches / 53 x 43 inches,
Frame: 16 x 17 1/2 inches / 55 3/4 x 44 1/2 inches — Mark Patsfall (b. 1949), Self-Portrait, Pair of two relief prints from etched magnesium plates, Paper: 14 x 15 1/2 inches / 53 x 43 inches, Frame: 16 x 17 1/2 inches / 55 3/4 x 44 1/2 inches

Bern Porter (1911-2004),
Nevers, 1994,
Screen print on quarter inch thick white Sintra plastic, shaped,
Edition of 20,
18 1/2 x 23 1/4 inches — Bern Porter (1911-2004), Nevers, 1994, Screen print on quarter inch thick white Sintra plastic, shaped, Edition of 20, 18 1/2 x 23 1/4 inches

Bruce Riley (b. 1954),
R.E., 1993,
Lithograph on paper,
Edition of 35,
Paper: 30 x 22 inches,
Frame: 32 1/4 x 24 1/4 inches — Bruce Riley (b. 1954), R.E., 1993, Lithograph on paper, Edition of 35, Paper: 30 x 22 inches, Frame: 32 1/4 x 24 1/4 inches

Kay Rosen (b. 1943),
The Ed Prints, 1992,
A portfolio of six prints, color lithograph and silkscreen on paper,
Edition of 30, 8/30,
Paper: 13 1/2 x 9 3/4 inches, each,
Frame: 15 1/4 x 11 1/4 inches, each — Kay Rosen (b. 1943), The Ed Prints, 1992, A portfolio of six prints, color lithograph and silkscreen on paper, Edition of 30, 8/30, Paper: 13 1/2 x 9 3/4 inches, each, Frame: 15 1/4 x 11 1/4 inches, each

Alison Saar (b. 1956),
Lazarus, 1995,
Screenprint on paper,
Edition of 95, AP VII/VIII,
Image: 18 1/2 x 24 inches,
Frame: 34 1/4 x 24 1/4 — Alison Saar (b. 1956), Lazarus, 1995, Screenprint on paper, Edition of 95, AP VII/VIII, Image: 18 1/2 x 24 inches, Frame: 34 1/4 x 24 1/4

Peter Saul (b. 1934),
Self Knowledge, 2011,
Lithograph on Somerset paper,
Edition of 20, 20/20,
Paper: 22 x 30 inches,
Frame: 25 x 32 3/4 inches — Peter Saul (b. 1934), Self Knowledge, 2011, Lithograph on Somerset paper, Edition of 20, 20/20, Paper: 22 x 30 inches, Frame: 25 x 32 3/4 inches

Peter Saul (b. 1934),
Untitled, 2011,
Lithograph on Somerset paper,
Edition of 20, 20/20,
Paper: 22 x 30 inches,
Frame: 25 x 32 3/4 inches — Peter Saul (b. 1934), Untitled, 2011, Lithograph on Somerset paper, Edition of 20, 20/20, Paper: 22 x 30 inches, Frame: 25 x 32 3/4 inches

Peter Saul (b. 1934),
The Wrong Neighborhood, 2011,
Lithograph on Somerset paper,
Edition of 20, 20/20,
Paper: 22 x 30 inches,
Frame: 25 x 32 3/4 inches — Peter Saul (b. 1934), The Wrong Neighborhood, 2011, Lithograph on Somerset paper, Edition of 20, 20/20, Paper: 22 x 30 inches, Frame: 25 x 32 3/4 inches

Carolee Schneemann (b. 1939),
Monday and Saturday, 1994,
Two multicolored screen prints, up to nine colors and twelve process runs, printed on Rives BFK white paper,
Edition of 32, 14/32,
Paper: 10 1/2 x 60 inches,
Frame: 12 3/4 x 62 inches — Carolee Schneemann (b. 1939), Monday and Saturday, 1994, Two multicolored screen prints, up to nine colors and twelve process runs, printed on Rives BFK white paper, Edition of 32, 14/32, Paper: 10 1/2 x 60 inches, Frame: 12 3/4 x 62 inches

Michael Sharber,
The European, 2010,
Lithograph on paper,
Edition of 16, 1/16,
Paper: 26 3/4 x 19 1/2 inches,
Frame: 29 x 22 3/4 inches — Michael Sharber, The European, 2010, Lithograph on paper, Edition of 16, 1/16, Paper: 26 3/4 x 19 1/2 inches, Frame: 29 x 22 3/4 inches

Thom Shaw (1947-2010),
Alley Buffet, 1996,
Woodcut on paper,
Edition of 30, Shop Proof,
Paper: 31 x 25 inches,
Frame: 32 1/4 x 26 inches — Thom Shaw (1947-2010), Alley Buffet, 1996, Woodcut on paper, Edition of 30, Shop Proof, Paper: 31 x 25 inches, Frame: 32 1/4 x 26 inches

TODT,
Untitled, 1993,
Silkscreen on Sintra,
Edition of 35,
Image: 30 x 22 inches,
Frame: 33 x 25 inches — TODT, Untitled, 1993, Silkscreen on Sintra, Edition of 35, Image: 30 x 22 inches, Frame: 33 x 25 inches

Julia Wachtel (b. 1956),
Precariously Close to 5 Billion Points of Confusion, 1990,
Lithography and silkscreen, portfolio of 9 prints,
Edition of 64, 20/64,
Paper: 22 x 30 inches, each,
Frame: 22 3/4 x 30 1/4 inches, each — Julia Wachtel (b. 1956), Precariously Close to 5 Billion Points of Confusion, 1990, Lithography and silkscreen, portfolio of 9 prints, Edition of 64, 20/64, Paper: 22 x 30 inches, each, Frame: 22 3/4 x 30 1/4 inches, each

Barbara Westermann (b. 1958),
Camp David I-IV, 2012,
Woodcut on Rives Heavyweight paper,
Edition of 18, 1/18,
Paper: 15 1/2 x 22 inches, each,
Frame: 18 1/14 x 25 inches, each — Barbara Westermann (b. 1958), Camp David I-IV, 2012, Woodcut on Rives Heavyweight paper, Edition of 18, 1/18, Paper: 15 1/2 x 22 inches, each, Frame: 18 1/14 x 25 inches, each

Barbara Westermann (b. 1958),
Parallax View I-IV, 2011,
Woodcut on Rives Heavyweight paper,
Edition of 18, 2/18,
Paper: 15 1/2 x 22 inches, each,
Frame: 18 1/14 x 25 inches, each — Barbara Westermann (b. 1958), Parallax View I-IV, 2011, Woodcut on Rives Heavyweight paper, Edition of 18, 2/18, Paper: 15 1/2 x 22 inches, each, Frame: 18 1/14 x 25 inches, each

Hannah Wilke (1940-1993),
Hername, 1991,
Etching on paper,
Edition of 30,
Paper: 36 1/4 x 26 1/4 inches,
Frame:39 1/4 x 29 1/4 inches — Hannah Wilke (1940-1993), Hername, 1991, Etching on paper, Edition of 30, Paper: 36 1/4 x 26 1/4 inches, Frame:39 1/4 x 29 1/4 inches

Jochen Saueracker (b. 1957),
Untitled, 1993,
Silkscreens on shaped white archival corrugated board,
Edition of 20,
Paper: 28 x 28 inches,
Frame: 30 1/4 x 30 1/4 inches — Jochen Saueracker (b. 1957), Untitled, 1993, Silkscreens on shaped white archival corrugated board, Edition of 20, Paper: 28 x 28 inches, Frame: 30 1/4 x 30 1/4 inches

Nineteen black-and-white portraits of legendary jazz musicians, including John Coltrane, Nina Simone, Thelonious Monk, Wayne Shorter, Duke Ellington, Dizzy Gillespie, and Cannonball Adderley, by Cincinnati-born photographer Ave Pildas, who now lives in Los Angeles. These photographs were taken during performances in nightclubs, after-hours venues, and jazz festivals in Cincinnati, Pittsburgh, and Chicago while Pildas worked for DownBeat magazine in the 1960s.

“Up until now, those images have been entirely forgotten, languishing in a loose-leaf binder full of negatives and contact sheets, secreted in a storage space in his home. His willingness to revisit those times and places give us a unique window on the music from two cities that were considered secondary markets in the business of jazz.” - Kirk Silsbee