Bob Stanley, The Supremes, 1965, Acrylic on canvas, Canvas: 38 x 45 inches, Frame: 38 3/4 x 45 3/4 inches
Keith Sonnier, Syzygy Transmitter, 1992, Neon, mylar, aluminum, metal, Edition of 18, 27 x 19 x 27 inches
Alan Rath, Bostock, 2012, Aluminum, FR-4, polyethylene, Delrin, custom electronics, LCDs, 81 x 45 x 33 inches
Alan Rath, Triple Tongue Tree Too, 2011, Aluminum, FR-4, polyethylene, silicone, custom electronics, LCDs, 63 x 42 x 22 inches
Alan Rath, Read My Lips, 2012, Aluminum, FR-4, Delrin, custom electronics, LCD, 31 x 13 x 11 inches
Kenny Scharf (1958 - ), "Paradis Perdu," 2022, Archival pigment inks with high glass varnish and diamond dust on Innova Etching cotton rag 315 gsm fine art paper, Signed by artist, Edition of 40, 28/40, Image: 42 x 54 inches, Framed: 48 x 60 inches
Ed Moses (1926 – 2018), "Vision Catcher," 1999, Acrylic on canvas, Signed and dated “Y BRANCO – 99,” 66 x 54 inches
USCO (Gerd Stern, Stephen Durkee, Michael Callahan), "Blue Cross Painting," 1965, Screenprint and oil on canvas, metal hinges, 36.5 x 36 inches (five 12 x 12 inch panels)
USCO (Gerd Stern, Stephen Durkee, Michael Callahan), "Light Blue with Benjamin Franklin Weather Map," 1965-1966, Oil and screenprint on shaped canvas, 78 x 66 inches
USCO (Gerd Stern, Stephen Durkee, Michael Callahan), "Contact Is the Only Love," 1963/2000, Metal, concrete, rubber, custom electronics, lights, 30 1/2 x 21 x 10 inches
Pat Steir (1940 - ), "Blue and Yellow Single Mark Waterfall," 2004 - 2010, Screenprint, AP 6 Edition never realized, Paper: 63 x 31 inches, Framed: 65 1/2 x 38 1/2 inches
Peter Halley (1953 - ), "Explosion #8," 2015, One of eight monoprints on vinyl, unique, 42 x 42 inches, Published by Carl Solway Gallery
Peter Halley (1953 - ), "Explosion #4," 2015, One of eight monoprints on vinyl, unique, 42 x 42 inches, Published by Carl Solway Gallery
Peter Halley (1953 - ), "Exploding Cell #8," 2013-2014, Pearlescent acrylic paint on digitally milled polystyrene with MDF backing, One of 16 unique works spray painted by hand, each a different color + 2 unique production proofs, 40 x 40 inches, Published by Carl Solway Gallery
Peter Halley (1953 - ), "Exploding Cell #3," 2013-2014, Pearlescent acrylic paint on digitally milled polystyrene with MDF backing, One of 16 unique works spray painted by hand, each a different color + 2 unique production proofs, 40 x 40 inches, Published by Carl Solway Gallery
Peter Halley (1953 - ), "Exploding Cell #7," 2013-2014, Pearlescent acrylic paint on digitally milled polystyrene with MDF backing, One of 16 unique works spray painted by hand, each a different color + 2 unique production proofs, 40 x 40 inches, Published by Carl Solway Gallery
Peter Halley (1953 - ), "Explosion," 2014-2020, hand-painted acrylic and fluorescent acrylic on digitally milled polystyrene mounted on MDF board, 40 x 40 x 3 inches
Ann Hamilton (1956 - ), "book weight zz (human carriage)," 2009, Archival Inkjet Print, Edition of 10 + 2 Artist Proofs, Image size: 36 x 25.75 inches, Paper size: 44 x 34 inches
Ann Hamilton (1956 - ), "book weight xx (human carriage)," 2009, Archival Inkjet Print, Edition of 10 + 2 Artist Proofs, Image size: 36 x 25.75 inches, Paper size: 44 x 34 inches
Ann Hamilton (1956 - ), "book weight dd (human carriage)," 2009, Archival Inkjet Print, Edition of 10 + 2 Artist Proofs, Image size: 58.5 x 42 inches, Paper size: 60.5 x 44 inches
Ann Hamilton (1956 - ), "book weight bb (human carriage)," 2009, Archival Inkjet Print, Edition of 10 + 2 Artist Proofs, Image size: 58.5 x 42 inches, Paper size: 60.5 x 44 inches
Tom Marioni (1937 - ), "Drum Brush Drawing," 2001, Steel on sand paper, 34 ½ x 40 ½ inches, paper size, 39 ¼ x 46 inches, framed
Tom Marioni (1937 - ), "Drum Brush Drawing," 2016, Graphite on sand paper, Paper: 34 x 40 1/2 inches, Frame: 39 1/4 x 46 inches
Merce Cunningham (1919 - 2009), "Untitled (woodpecker) (8/20/00 #1)," 2000, Color pencil and ink on paper, 11 7/8 x 8 15/16 inches
Buckminster Fuller (1895 - 1983), "90 Strut Tensegrity Dome," 1979, 9” Stainless Steel polished and stainless wire tendons, Series #5 / 5, signed on strut with 12 degrees freedom demo model, 21-inch diameter
Eva Kwong (1954 - ), "Femme Rock," 1982, Stoneware, coil-built, glazed, 15 x 15 x 11 inches
Eva Kwong (1954 - ), "Double Kiss," 1988 stoneware, colored slips, salt-glaze 13 x 14 x 47 ½ inches
Eva Kwong (1954 - ), "Waterfall," 1974, porcelain slip, salt glaze, 6 x 6 x 10 inches
Eva Kwong (1954 - ), "Lava," 1978, porcelain, slip, salt glaze, 10.5 x 13 x 1 inches
Eva Kwong (1954 - ), "Akia," 2015, Stoneware, slips and underglaze, 19 x 11 x 12 inches
Kirk Mangus (1952 - 2013)
Kirk Mangus (1952 - 2013), "Cat and Mouse," 1979, Earthenware, hand built, 12 x 10 x 14.5 inches
Kirk Mangus (1952 - 2013), Sleepy Misty, 10 x 11 x 13 inches, Blue Bunny, 12 ½ x 11 ½ x 16 ¾ inches, stoneware, underglazes, 2008
Kirk Mangus (1952 - 2013), "Lakeside Femme," 1987, Stoneware with colored slips, 40.5 x 15 x 14.5 inches
Kirk Mangus (1952 - 2013), "Dog Boy," 33 x 18 x 18 inches, "Cat Girl," 29 x 18 x 18 inches, local stoneware, wood-fired
John Cage (1912 - 1992), "Not Wanting to Say Anything About Marcel Plexigram I," 1969 8 panels of Plexiglas each in a walnut base, 14.5 x 24 x 14.5 inches
John Cage (1912 - 1992), "Not Wanting to Say Anything About Marcel Plexigram III," 1969 8 panels of Plexiglas each in a walnut base, 14.5 x 24 x 14.5 inches
John Cage (1912 - 1992), "Not Wanting to Say Anything About Marcel Plexigram IV," 1969 8 panels of Plexiglas each in a walnut base, 14.5 x 24 x 14.5 inches
Ben Patterson (1934 - 2016), "Flying Bass," 2015, Vintage double bass, LEDs, wood, oil paint, inkjet print on vinyl and nylon, and aluminum, 36 x 134 x 88 inches