Cherie Benner Davis (1964 - ), "Star Spangled," 2023, Oil on panel, 30 x 30 inches
Cherie Benner Davis (1964 - ), "Pelton Mist," 2023, Oil on panel, 24 x 24 inches
Cherie Benner Davis (1964 - ), "Silhouette," 2023, Oil on panel, 24 x 24 inches
Kenny Scharf (1958 - ), "Paradis Perdu," 2022, Archival pigment inks with high glass varnish and diamond dust on Innova Etching cotton rag 315 gsm fine art paper, Signed by artist, Edition of 40, 28/40, Image: 42 x 54 inches, Framed: 48 x 60 inches
Joan Snyder (1940 - ), "Sky/Totems/Roses," 2015, oil, acrylic, dried pigment, papier mache, glitter on linen, 48 x 54 inches
Ed Moses (1926 – 2018), "Vision Catcher," 1999, Acrylic on canvas, Signed and dated “Y BRANCO – 99,” 66 x 54 inches
USCO (Gerd Stern, Stephen Durkee, Michael Callahan), "Blue Cross Painting," 1965, Screenprint and oil on canvas, metal hinges, 36.5 x 36 inches (five 12 x 12 inch panels)
USCO (Gerd Stern, Stephen Durkee, Michael Callahan), "Light Blue with Benjamin Franklin Weather Map," 1965-1966, Oil and screenprint on shaped canvas, 78 x 66 inches
USCO (Gerd Stern, Stephen Durkee, Michael Callahan), "Contact Is the Only Love," 1963/2000, Metal, concrete, rubber, custom electronics, lights, 30 1/2 x 21 x 10 inches
Pat Steir (1940 - ), "Blue and Yellow Single Mark Waterfall," 2004 - 2010, Screenprint, AP 6 Edition never realized, Paper: 63 x 31 inches, Framed: 65 1/2 x 38 1/2 inches
Jody Zellen (1961 - ), "News Cycle," 2017, A suite of eight lenticular prints, Edition of 5 + 3 Aps, 14 x 11 inches each
Peter Halley (1953 - ), "Explosion #8," 2015, One of eight monoprints on vinyl, unique, 42 x 42 inches, Published by Carl Solway Gallery
Peter Halley (1953 - ), "Explosion #4," 2015, One of eight monoprints on vinyl, unique, 42 x 42 inches, Published by Carl Solway Gallery
Peter Halley (1953 - ), "Exploding Cell #8," 2013-2014, Pearlescent acrylic paint on digitally milled polystyrene with MDF backing, One of 16 unique works spray painted by hand, each a different color + 2 unique production proofs, 40 x 40 inches, Published by Carl Solway Gallery
Peter Halley (1953 - ), "Exploding Cell #3," 2013-2014, Pearlescent acrylic paint on digitally milled polystyrene with MDF backing, One of 16 unique works spray painted by hand, each a different color + 2 unique production proofs, 40 x 40 inches, Published by Carl Solway Gallery
Peter Halley (1953 - ), "Exploding Cell #7," 2013-2014, Pearlescent acrylic paint on digitally milled polystyrene with MDF backing, One of 16 unique works spray painted by hand, each a different color + 2 unique production proofs, 40 x 40 inches, Published by Carl Solway Gallery
Peter Halley (1953 - ), "Explosion," 2014-2020, hand-painted acrylic and fluorescent acrylic on digitally milled polystyrene mounted on MDF board, 40 x 40 x 3 inches
Ann Hamilton (1956 - ), "book weight zz (human carriage)," 2009, Archival Inkjet Print, Edition of 10 + 2 Artist Proofs, Image size: 36 x 25.75 inches, Paper size: 44 x 34 inches
Ann Hamilton (1956 - ), "book weight xx (human carriage)," 2009, Archival Inkjet Print, Edition of 10 + 2 Artist Proofs, Image size: 36 x 25.75 inches, Paper size: 44 x 34 inches
Ann Hamilton (1956 - ), "book weight dd (human carriage)," 2009, Archival Inkjet Print, Edition of 10 + 2 Artist Proofs, Image size: 58.5 x 42 inches, Paper size: 60.5 x 44 inches
Ann Hamilton (1956 - ), "book weight bb (human carriage)," 2009, Archival Inkjet Print, Edition of 10 + 2 Artist Proofs, Image size: 58.5 x 42 inches, Paper size: 60.5 x 44 inches
Julia Wachtel (1956 - ), "Precariously Close to 5 Billion Points of Confusion," 1990, Portfolio of 9 prints, Lithography and silkscreen, Edition of 64, 22 x 30 inches, each, Published by Carl Solway Gallery
Alan Rath (1959 - 2020), "Jimi’s Guitar," 1994, Aluminum, custom electronics, speakers, 44 x 38 x 12 inches
Diane Landry (1958 - ), "Privilèges," 2006, Leaflet with automation dictionary, transferred photos, engine, table, wood, motion detector, 57 x 31 ½ x 22 inches
Diane Landry (1958 - ), "Solo Knight III (sand)," 2015, Mural with automation bicycle wheels, plastic water bottles, sand, LED, aluminum, motor, gear, ball bearing, 53 inch diameter x 14 inch depth
Diane Landry (1958 - ), "Mandala Perrier," 2002, Different bottles of water, motors, selected object, aluminum, wood, halogen lamp, tripod, Edition of 3
Tom Marioni (1937 - ), "Drum Brush Drawing," 2001, Steel on sand paper, 34 ½ x 40 ½ inches, paper size, 39 ¼ x 46 inches, framed
Tom Marioni (1937 - ), "Drum Brush Drawing," 2016, Graphite on sand paper, Paper: 34 x 40 1/2 inches, Frame: 39 1/4 x 46 inches
Merce Cunningham (1919 - 2009), "Untitled (woodpecker) (8/20/00 #1)," 2000, Color pencil and ink on paper, 11 7/8 x 8 15/16 inches
Buckminster Fuller (1895 - 1983), "90 Strut Tensegrity Dome," 1979, 9” Stainless Steel polished and stainless wire tendons, Series #5 / 5, signed on strut with 12 degrees freedom demo model, 21-inch diameter
Eva Kwong (1954 - ), "Femme Rock," 1982, Stoneware, coil-built, glazed, 15 x 15 x 11 inches
Eva Kwong (1954 - ), "Double Kiss," 1988 stoneware, colored slips, salt-glaze 13 x 14 x 47 ½ inches
Eva Kwong (1954 - ), "Waterfall," 1974, porcelain slip, salt glaze, 6 x 6 x 10 inches
Eva Kwong (1954 - ), "Lava," 1978, porcelain, slip, salt glaze, 10.5 x 13 x 1 inches
Eva Kwong (1954 - ), "Akia," 2015, Stoneware, slips and underglaze, 19 x 11 x 12 inches
Kirk Mangus (1952 - 2013)
Kirk Mangus (1952 - 2013), "Cat and Mouse," 1979, Earthenware, hand built, 12 x 10 x 14.5 inches
Kirk Mangus (1952 - 2013), Sleepy Misty, 10 x 11 x 13 inches, Blue Bunny, 12 ½ x 11 ½ x 16 ¾ inches, stoneware, underglazes, 2008
Kirk Mangus (1952 - 2013), "Lakeside Femme," 1987, Stoneware with colored slips, 40.5 x 15 x 14.5 inches
Kirk Mangus (1952 - 2013), "Dog Boy," 33 x 18 x 18 inches, "Cat Girl," 29 x 18 x 18 inches, local stoneware, wood-fired
R.M. Fischer (1947 - ), "Modern Times," 1992, Etching and aquatint framed with metal mat and brass hardware, Edition of 25, 45 x 34 x 3.75 inches
John Cage (1912 - 1992), "Not Wanting to Say Anything About Marcel Plexigram I," 1969 8 panels of Plexiglas each in a walnut base, 14.5 x 24 x 14.5 inches
John Cage (1912 - 1992), "Not Wanting to Say Anything About Marcel Plexigram III," 1969 8 panels of Plexiglas each in a walnut base, 14.5 x 24 x 14.5 inches
John Cage (1912 - 1992), "Not Wanting to Say Anything About Marcel Plexigram IV," 1969 8 panels of Plexiglas each in a walnut base, 14.5 x 24 x 14.5 inches
Ben Patterson (1934 - 2016), "Flying Bass," 2015, Vintage double bass, LEDs, wood, oil paint, inkjet print on vinyl and nylon, and aluminum, 36 x 134 x 88 inches