Seeing the Light — Solway Gallery

ERIKA BLUMENFELD Light Recording: Total Lunar Eclipse October 27, 2004, A documentation of the entire four hours of the diminishing and reappearing light of the full moon as it was eclipsed by the earth’s shadow on the total lunar eclipse of October 27, 2004. Blumenfeld recorded the light every seven minutes during the eclipse and configured the images consecutively from left to right, starting from the top row., 36 Direct Digital Lightjet Type-C prints, honeycomb aluminum panels, Lexan laminate, 46 x 185 in.

RICHARD CALDICOTT, Glyph, 2005, Direct Digital Type C-print and Diasec Signed, titled, dated verso, Edition of 5, 1/5, 50 x 40 in.

RICHARD CALDICOTT, Backdrop, 2005, Digital Digital Type C-print and Diasec Signed, titled, dated verso Edition of 5, 1/5, 40 x 50 in.

SOPHIE CALLE, Exquisite Pain (Day 16), 2000, Edition of 3, 2/3 (English), 2 photographic panels: 18 7/8 x 23 7/8 in. ea., Framed: 19 x 24 in. ea., 2 embroidery text panels: 51 1/8 x 23 5/8 in. ea., Framed: 52 x 25 1/ in. ea., Overall dimensions: 76 x 54 in.

ELLEN CAREY, RGB + YMC, 2002, Left to right: Red Pull w/Blue Rollback, Green Pull w/Blue Rollback, Blue Pull w/Blue Rollback, Yellow Pull w/Blue Rollback, Magenta Pull w/Blue Rollback, Cyan Pull w/Blue Rollback, Polaroid 20 x 24, Color Positive Prints, unique, signed and dated on verso, 80 (varies) x 22 in. ea. unframed

ELLEN CAREY, Moire Pull, 2005, (Yellow/Blue), Polaroid 20 x 24 in., Color Positive Print Unique, signed & dated on verso, 59 x 22 in. unframed

ELLEN CAREY, Moire Pull, 2005, (Blue/Beige), Polaroid 20 x 24 in., Color Positive Print Unique, signed & dated on verso, 57 x 22 in. unframed

REBECCA CUMMINS, Libro Obscura, 2002, Webster’s Twentieth Century Dictionary, Unabridged, 2 lenses, brass chain, brass padlock, 11 x 8 x 5 in.

REBECCA CUMMINS, Simply Smashing, 2000 - 2006, Wineglasses filled with distilled water, plexiglass, 98 x 45 x 15 in., Work may be customized for specific site

ALEX HAAS, Sanctum Document #12, 2005, Direct Digital Type C-print on Fuji Crystal Archive Paper, 60 x 46 in.

ALEX HAAS, Sanctum Document #4, 2005, Direct Digital Type C-print on Fuji Crystal Archive Paper, 60 x 46 in.

ALFREDO JAAR, R (Refugee), 1989, Cibachrome transparency in light box & six mirrors, 115 x 40 x 23 in.

JONATHAN KLINE, Lake Shaftsbury, 2004, Direct Digital Type C print on Fuji Crystal Archive Paper, 40 X 70 in.

JONATHAN KLINE, Baja Diptych/East & West, 2004, Direct Digital Type C prints on Fuji Crystal Archive Paper, 70 x 40 in. ea.

YUKI ONODERA, Robert from the series Transvest, 2002, Gelatin silver print, Edition of 5, 2/5, 75 1/2 x 49 5/8 in., Framed: 78 x 52 in., Courtesy Jayne H. Baum Gallery, New York, NY

JONATHAN KLINE, Salton Sea Diptych/East & West, 2003, Direct Digital Type C prints on Fuji Crystal Archive Paper, 70 x 40 in. ea.

YUKI ONODERA, Daisy from the series Transvest, 2002, Gelatin silver print, Edition of 5, 3/5, 71 x 49 5/8 inches Framed: 74 x 52 in., Courtesy of Jayne H. Baum Gallery, New York, NY

LEWIS KOCH, Winged Victory (of Some Old Race), 1989, Gelatin silver prints flush mounted on sheet steel with hanging cables attached, A/P of proposed edition of 5, 38 x 51 in.

FRANK MAJORE, Angel, 1990, Cibachrome print, Edition of 3, 1/3 60 x 48 in.

FRANK MAJORE, Modernism and The Mystery of Birth, 1987, Cibachrome print, Edition of 3, 3/3, 60 x 48 in.

FRANK MAJORE, Veil of Tears, 1990, Cibachrome print, Edition of 3, 1/3, 72 x 48 in.

AMANDA MEANS, Light Bulb Grid, 1998-2001, Ea. print: Light Bulb 5A (CP), 2001, 3/20, Light Bulb 1 (CP), 2001, 3/20, Light Bulb 2 (CP2), 2001, 4/20, Light Bulb 2 (CP1), 2001, 2/20, Light Bulb 2, 1998-2000, 4/20, Light Bulb 20, 2001, 5/20, Light Bulb 1, 1998-2000, 7/20, Light Bulb 3C, 1998-2000, 2/20, Light Bulb 5 (CP), 2001, 10/20, Gelatin silver prints Image & paper size: 21 x 17 in. ea., Framed: 24 x 20 in. ea., Framed grid of nine: 75 x 63 in.

ROBERT & SHANA PARKEHARRISON, The Marks We Make, 2003, Photogravure, Edition of 40, 28/40, Image size: 21 x 18 in., Paper size: 28 x 23 in., Matted: 28 x 26 in.

ROBERT & SHANA PARKEHARRISON, The Source, 2004, Photogravure, Edition of 40, 30/40, Image size: 22 x 18 in., Paper size: 28 x 23 in., Matted: 30 x 25 in.

ROBERT & SHANA PARKEHARRISON, Burn Season, 2003, Photogravure Edition of 40, 16/40, Image size: 18 x 21 in., Paper size: 23 x 28 in., Matted: 25 x 28 in.

ROBERT & SHANA PARKEHARRISON, Tethered Sky, 2004, Photogravure, Edition of 40, 27/40, Image size: 22 x 18 in., Paper size: 28 x 23 in., Matted: 30 x 25 in.

JACK PIERSON, Untitled (Collage X), 2001, Digital pigment print, Image size: 84 x 48 in., Framed: 87 x 50 in.

JACK PIERSON, Untitled (Collage III), 2001, Digital pigment print, Image size: 84 x 141 in., Framed: 87 x 145 in.

CHARLES SCHWARTZ & BILL WESTHEIMER, #8466, Wednesday March 24, 2004, 16:05:28, 2004, Direct Digital Type C-print mounted on aluminum with over lamination, Edition of 3, 45 inches in diameter

CHARLES SCHWARTZ & BILL WESTHEIMER, #8897, Wednesday June 30, 2004, 13:30:54, 2004, Direct Digital Type C-print mounted on aluminum with over lamination, Edition of 3, 45 inches in diameter

LORNA SIMPSON, Untitled, 1992, Eight Polaroid, 20 x 24 Color Positive Prints with plastic plaques, Edition of 4, 3/4 74 x 113 in.

SANDY SKOGLUND, Raining Popcorn, 2001, Ultrachrome archival ink on paper, Edition of 30, 28/30, Image size: 38 x 49 in., Framed: 44 x 55 in.

SANDY SKOGLUND, Picnic On Wine, 2003, Ultrachrome archival ink on paper, Edition of 20, 13/20, Image size: 41 x 51 in., Framed: 46 x 56 in.

DOUG & MIKE STARN, Structure of Thought #13 , 2001-2004, MIS Lysonic inkjet print on Thai Mulberry, Gampi and tissue papers with wax, encaustic varnish, Edition of 10, AP, Image size: 13 x 72 in., Framed: 19 x 77 in.

CONNIE SULLIVAN, Untitled from Alchemy of Entrancement, 1999, Light box with transparency, 42 x 42 x 3 in.