Innovation and Passion:
Kirk Mangus and Eva Kwong
March 17 - April 21, 2023
Carl Solway Gallery presents Innovation and Passion: Kirk Mangus and Eva Kwong as part of the 2023 National Council on Education for the Ceramic Arts Conference. This ceramic exhibition will highlight two distinctive practices through an exploration of the artists’ idiosyncratic yet complementary styles.
Throughout the four decades Kirk and Eva spent together, they maintained autonomous art practices and identities. By nature, they contrasted each other not just in temperament, but in their processes and aesthetics as well. Kwong’s ceramics are contemplative and elegant, while Mangus’ dynamic and rough-hewn. However, they share an affinity for the bold, the vivid, and the corporeal.
Eva Kwong’s sculptures refer to the dualities of east/west that mirror her bi-cultural upbringing, and the tension between male/female, open/closed, empty/full, and dark/light. Her repertoire of color and form is derived from the stained images of electron microscope slides, observations of organic lifeforms and her own bodily experiences. Her compelling ceramics, both large and small, interconnect as installations that express an awareness of the sensations and energy in our living bodies.
Kirk Mangus’ vessels and sculptures emphasize the mark of his hand: the squishing, pulling, and carving create the potent energy of his work. He drew from a variety of influences: from comics to cave paintings, Greek and Roman history, modernist abstraction to West Coast 1970s Funk, Goya, German Expressionists, Chinese ink paintings, and Japanese woodblock prints. Most evident was his affection for traditions as varied as American folk pottery, Mayan reliefs, African wood carvings, and Asian vessels. His work is internationally known for its vibrant figurative imagery, evocative humor, exuberant storytelling, and experimental glazing techniques.
Eva Kwong, Passion Fruit, 1988, stoneware, colored slips, salt-glaze, 47 x 19 x 12 inches
Eva Kwong, Double Kiss, 1988, stoneware, colored slips, salt-glaze, 13 x 14 x 47 ½ inches
Eva Kwong, Lament, 2005, porcelain, glaze, each teardrop: 10 – 12 inches
Eva Kwong, Zygote, 1982, porcelain, glaze, 13 x 19 x 1.5 inches
Eva Kwong, Linea Rossa, 1977, porcelain, glaze, 20 x 20 x 1 inches
Eva Kwong, Three Realms, 1977, porcelain, glaze, 22.5 x 19 x 1.5 inches
Eva Kwong, Center of the Universe, 1982, porcelain, glaze, 3.5 x 18.5 inches
Eva Kwong, Navel of the Universe II, 2018, stoneware, glaze, 18 x 9 x 42 ½ inches
Eva Kwong, Akia, 2015, Stoneware, slips and underglaze, 19 x 11 x 12 inches
Eva Kwong, Pollia, 2019, Stoneware, slips and underglaze, glaze, 16 x 13 x 13 inches
Eva Kwong, Filopodia, 2019, stoneware, underglaze, glaze, 17 x 12 x 12 inches
Eva Kwong, Waterfall, 1974, porcelain slip, salt glaze, 6 x 6 x 10 inches
Eva Kwong, Femme Rock, 1982, Stoneware, coil-built, glazed, 15 x 15 x 11 inches
Eva Kwong, Golden Navel of the Universe I, 2018, stoneware, glaze, 22 x 12 x 44 inches
Kirk Mangus, Jungle ife Jar Series (Multi-Eyed Guardian), c. 1990s, Wood-fird local stoneware, 33 x 22 x 9 1/2 inches
Kirk Mangus, Blue Bunny, 2008, stoneware, underglazes, 12 ½ x 11 ½ x 16 ¾ inches Kirk Mangus, Sleepy Misty, 2008, stoneware, underglazes, 10 x 11 x 13 inches
Kirk Mangus, Bronze Femme I and II, 1986, Stoneware with bronze glaze, 38.5 x 14 x 11 inches
Kirk Mangus, Garden of Delights, 1992, earthenware, red luster glaze, 6.25 x 10 x 9 inches
Kirk Mangus, 2 Women in the Garden of Delights, 1992, earthenware, red luster glaze, 12 x 3 x 5 inches
Kirk Mangus, Dog Boy, local stoneware, wood-fired, 33 x 18 x 18 inches , Kirk Mangus, Cat Girl, local stoneware, wood-fired, 29 x 18 x 18 inches
Kirk Mangus, Lakeside Femme, 1987, Stoneware with colored slips, 40.5 x 15 x 14.5 inches
Kirk Mangus, Yellow Femme, 1987, Stoneware with colored slips and salt- glaze, 50.5 x 22 x 22 inches
Kirk Mangus, Surrounded (From the Lost at Sea Series), 1990, Watercolor and ink on paper, 22 x 30 inches
Kirk Mangus, Man on the Farm, c. 1986-87, Stoneware with white and colored slips, 34 x 19 ½ x 20 inches
Kirk Mangus, Carrying Everybody With Us, 2008, Sumi ink drawing on handmade Korean mulberry paper, 27.5 x 53.5 inches
Kirk Mangus, Tiger and Friend, stoneware, colored slips, 28 x 8.5 x 12 inches
Kirk Mangus, Seeing Eyes (From the Lost at Sea Series), 1990, Watercolor and ink on paper, 22 x 30 inches
Kirk Mangus, Snake Amphora, late 1990s, Local stoneware, wheel thrown, sgraffito drawing and applied snakes, 25 x 12 x 9 inches
Kirk Mangus, Girl with Ponytail and Bird, 1980, Local stoneware, wheel thrown, sgraffito drawing, wood fired in Anagama kiln, 17 x 7 x 5 inches
Kirk Mangus, Bird Totem, 1983, stoneware, colored slips, 38 x 9.5 x 11 inches
Kirk Mangus, D’Artagnan, My Black Poodle, 2010, Ink on Korean handmade mulberry paper, 56.25 x 29.25 inches
Kirk Mangus, Smoking Chaac and Girl Wearing Dog Mask, 2007, Ink on Korean handmade mulberry paper, 56.5 x 28.375 inches
Kirk Mangus Multi-Eyed Guardian, 1989, Watercolor on handmade paper, 64.25 x 52.5 inches, Framed: 71.5 x 59 inches
The Kilns, 1988, Sumi ink drawing on hand-made, Korean mulberry paper, 74 x 37.5 inches
Kirk Mangus, Cat and Mouse, 1979, Earthenware, hand built, 12 x 10 x 14.5 inches
Kirk Mangus, Out In the Fields, 1995, earthenware, bubble glaze, overglaze, 6.5 x 11 x 5.5 inches, Kirk Mangus, In the Garden, 1995, earthenware, bubble glaze, overglaze, 5.75 x 8.5 x 5.75 inches